Review Movie Cabinet of Dr Caligari Movie-Free-Samples for Students

Quetion: Write review of the movie Cabinet of Dr Caligari. Answer: Review of the movie The movie The Cabinet of Dr Caligari was released in the year of 1920 and it can surely be said that this movie is one of the milestones achieved by the German film industry. The main characteristics of the movie are the uneven direction, primitive camerawork and above all, the movie generates an anti-realistic and shaky ambience for audience. The central plot of the movie revolves around murder, mystical power and utmost horror (Reimer Zachau, 2017). The film presents the expressionist world of the terror tale that has been striking to the audience. In the movie, the grotesque painted shadows of the staircases and the streets, non-perpendicular chimneys, doors; exaggerated height of the furniture adds more to the uneasy feeling. In the film, the grotesque world is not at all a decorative stunt; rather it is the way Francis, the narrator looks at the world. It can be said that each aspect of the movie from the plot to the twists and the scenic design is arranged in a manner that serves the purpose of breaching all the general perceptions (Punter, 2015). Finally it can be said that nothing can be taken for granted and everything should be accepted as the only subjective expression of what can be perceived as real. Summary of the reading Age of expression was the golden era of German movie industry, and The Cabinet of Dr. Caligari is one of the gems of the casket of the German film industry. In this context, it can be said that Griffiths greatest accomplishments were the realization of the power of atmosphere along with the dcor and texture of the taking of the shot. The German movies of that era generally focus on the mise-in-scene and psychology (Kaes, Baer Cowan, 2016). In most cases they used to shoot indoors and the movement of the camera used to be free. The popular German movies of the 20s are the examples of the extension of the Broken Blossoms that looked realistic but it was shot indoors. This particularly conveyed the psychological perceptions by the usage of lighting, costume, gesture and the design of the state and in most cases it tells a story of only a few individuals. The subjectivity in the German movies rarely seen to set off in brackets, rather in those movies, the boundary between the objective and subjective perceptions becomes indefinite. Summarizing the subject Thus to summarize the subject of the weeks reading, it can be said that the German movies of the great era of the 20s to early 30s are either mystical or realistic and psychological. One was infused in the orthodox German Romanticism and on the other hand, the other one portrays the neo German intellectual currents of Weber and Freud (Elsaesser, 2013). Mostly the movies regarding horrors and action surround the occult, mysterious and the metaphysical References Elsaesser, T. (2013).Weimar cinema and after: Germany's historical imaginary. Routledge. Kaes, A., Baer, N., Cowan, M. (Eds.). (2016).The Promise of Cinema: German Film Theory, 1907 1933(Vol. 49). Univ of California Press. Punter, D. (Ed.). (2015).A new companion to the Gothic. John Wiley Sons. Reimer, R. C., Zachau, R. (2017).German culture through film: an introduction to German cinema. Hackett Publishing.